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started, when we took up our seats on the upper floor;
owing to the darkness we did not know where the traitorous
Ching was sitting. During the interval we both rose
together and looked round. It happened that he, his wife
and his three children had their seats in the 4th row
beside our right. The youngest of the three children, a
boy, was sitting on his immediate left; next were his wife,
elder son and daughter.
On that day, however, the traitorous Ching was
wearing a grey coloured long coat and a pair of rimless,
plain (?) coloured spectacles. As he used to wear Europe an
styled clothes we were not sure of his identity at that
time. An idea occurred to Chuk Chung-leung, No.1 maker of
these confessions. He immediately went to the place outside
the cinematograph operating room and wrote on a glass slide.
This he handed in and requested that it might be screened.
On the glass slide he had clearly written with a Chinese
pen the five characters " 程經理外找 n (meaning
Manager Ching, you are wanted). Two or three minutes later
these five characters were projected on the small silver
screen. After reading this message, the traitorous Ching
tried to get on his feet, when he was stopped by his wife.
We were thus able to make certain that the man, who had
wanted to rise and had remained on his seat was Ching Sik-
kang, a traitor of Han. We then actively engaged ourselves
in arranging how we should act.
First Yuen Hon-tsun, the No.2 maker of these
confessions, secretly placed three of his own make small
percussion crackers(?) on the passage way of the bottom
floor so that when the people walked on them they would
explode and thus cause a panic in the theatre. This done
he secretly returned to and took his seat at the entrance
of the upper floor, in readiness to render protection to Chuk Chung-leung, the No.1 maker of these confessions, on his (Chuk Chung-leung's) leaving the theatre after he
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